Mark Twain House & Museum, Hartford - Things to Do at Mark Twain House & Museum

Things to Do at Mark Twain House & Museum

Complete Guide to Mark Twain House & Museum in Hartford

About Mark Twain House & Museum

The Mark Twain House rises on Farmington Avenue in Hartford's Nook Farm and the first shock is this: it looks nothing like the home of America's folksiest writer. Instead, a 25-room High Victorian Gothic pile in painted brick greets you, crowned by a polychrome slate roof, ornamental chimneys, and a wraparound veranda that architect Edward Tuckerman Potter shaped to echo a Mississippi steamboat. Samuel Clemens lived here from 1874 to 1891, the years when he wrote Tom Sawyer, A Connecticut Yankee in King Arthur's Court, The Prince and the Pauper, and Adventures of Huckleberry Finn. You can feel the productivity inside. This is the house of a man who, for a spell, was flying high. Cross the threshold and the smell arrives first: old wood, beeswax, the ghost of a cigar lingering after a century of careful preservation. The entrance hall is dim and silvery, paneled in carved wood with stenciled walls executed by Louis Comfort Tiffany's Associated Artists firm in 1881. It is one of the few surviving domestic interiors from that brief, dazzling Tiffany period. Light slips through patterned glass onto a grand staircase, and you will find yourself staring at the ceiling as much as at anything else. What makes the house hit emotionally is the third-floor billiard room where Twain wrote, smoking and pacing and sometimes racking a game when sentences stalled. You can almost hear the click of the balls. The Clemens family lost the house after his publishing house collapsed and his daughter Susy died of meningitis in the upstairs bedroom in 1896. They never lived here again. The house tends to land harder than visitors expect.

What to See & Do

The Tiffany-Decorated Entrance Hall and Drawing Room

Associated Artists, Louis Comfort Tiffany's firm with Candace Wheeler and Lockwood de Forest, redecorated the main floor in 1881, and most of it survived. Look for the silver stenciling on the entrance hall walls. It is silver leaf applied in a paisley-like pattern. Study the salmon-and-gold drawing room ceiling. Admire the carved wooden mantel in the library that the Clemenses bought intact from a Scottish castle. The light in these rooms shifts hour by hour through the patterned windows.

The Billiard Room (Twain's Writing Studio)

Up under the eaves on the third floor, this is where the books got written. The billiard table is the original. The pipes and cigar boxes are arranged as Twain left them. The windows look out over the treetops of Nook Farm. Worth noting: he wrote standing or pacing more often than sitting. The room smells faintly of old tobacco even now.

The Mahogany Suite and Susy's Bedroom

The master bedroom holds the elaborately carved Venetian bed the family bought in Italy. Cherubs perch on the bedposts that the Clemens daughters named and said goodnight to. Down the hall is the bedroom where 24-year-old Susy died in August 1896 while her parents were in Europe. Guides handle it gently. The room is kept simple.

The Conservatory

A small glassed-in jungle sits off the library, designed so Olivia Clemens could have something blooming in February. Light pours in green through the leaves. You can hear water trickling from a small fountain. The children used to stage plays here, with the conservatory plants as backdrop.

The Museum Center Galleries

The adjacent museum building, designed by Robert A.M. Stern and opened in 2003, houses rotating exhibitions. A Ken Burns documentary plays on a loop in a small theater. A permanent gallery displays Clemens family artifacts including manuscript pages. See the typewriter Twain claimed was the first ever used for a literary manuscript. Note the unsettling number of his white suits.

Practical Information

Opening Hours

Open daily roughly 9:30am to 5:30pm in peak season from April through December. Shorter winter hours apply. A closed day or two happens in January and February. Last tour typically leaves about an hour before closing. House access is by guided tour only. Tours fill on weekends. Booking ahead is the move.

Tickets & Pricing

Standard adult admission is moderately priced for a house museum of this caliber. Discounts apply for seniors, students, and kids. Children under a certain age get in free. The Living History tour and the Servants' Tour cost a bit more and run on a limited schedule. Hartford residents and members of reciprocal museum networks may get reduced rates.

Best Time to Visit

Weekday mornings, Tuesday through Thursday, are quietest. October is glorious. The surrounding trees go red and the Victorian exterior photographs beautifully. It is also peak season. December brings holiday-themed tours with the rooms decorated as the Clemenses would have done. Lovely, but you will share the house with crowds. Avoid Saturday afternoons in summer if you want to hear the guide without straining.

Suggested Duration

Plan on about 90 minutes for the standard house tour. Add another 45 minutes to an hour for the museum galleries and the Ken Burns film. If you are a serious reader of Twain, easily half a day. The cafe makes for a reasonable lunch break.

Getting There

The house sits at the corner of Farmington Avenue and Forest Street, about a mile and a half west of downtown Hartford. Driving is easiest. There is a free parking lot on site, accessed from Forest Street. From I-84, take the Sisson Avenue or Sigourney Street exits and follow signs. CTtransit bus routes running west on Farmington Avenue stop within a short walk. The ride from Union Station is roughly 15 minutes. Amtrak and the CTrail Hartford Line both serve Union Station from Springfield, New Haven, and New York. A rideshare from the station runs cheap. Walking from downtown is doable in good weather, about 30 minutes. The route through Asylum Hill has its own faded-grandeur appeal.

Things to Do Nearby

Harriet Beecher Stowe Center
Stowe lived next door. A two-minute walk across the lawn. Combined tickets are available. Seeing both houses back-to-back gives you the full Nook Farm picture of 1870s American literary celebrity. Stowe's cottage is smaller, gentler, and a useful counterweight to Twain's flamboyance.
Wadsworth Atheneum Museum of Art
About a mile east downtown, the oldest continuously operating public art museum in the United States. Strong Hudson River School collection, Caravaggios, and a surprising amount of contemporary work. Pairs well as an afternoon after a morning at Twain's.
Elizabeth Park Conservancy
Ten minutes west by car, the country's oldest municipally operated rose garden, peak bloom is mid-to-late June, when the smell carries across the whole park. Free to wander, and the greenhouse is open year-round.
Bushnell Park and the State Capitol
Walking distance back toward downtown. The 1879 Capitol is one of the most aggressively ornate state houses in the country (gold-domed, marble-everything), and Bushnell Park has the only surviving Civil War memorial arch in the U.S. Good for stretching legs.
Real Art Ways
An alternative arts venue a short drive south in Parkville, independent film, experimental theater, gallery openings. Useful if you're staying overnight and want something that isn't 19th-century. The neighborhood around it has decent Peruvian and Vietnamese food.

Tips & Advice

Book the standard house tour online at least a day ahead in October and December, walk-up slots disappear by 11am on weekends.
The Servants' Tour, offered only on select dates, is honestly more interesting than it sounds: it covers the six Irish and African American staff who ran the house, and it reframes everything you saw on the standard tour.
Photography is allowed in some rooms but not others, and the rules shift, ask your guide at the start rather than getting tapped on the shoulder later.
The cafe in the museum center does soup-and-sandwich lunches that are better than they need to be. If you're touring both Twain and Stowe houses, eating here saves the hassle of driving back downtown.
Wear shoes you can move in, there are a lot of stairs, no elevator to the third floor, and the Victorian carpets are uneven in places.
If you're traveling with kids under about 10, the house tour can drag for them. The museum galleries and the short film tend to land better, so consider doing those first.

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